I have been wanting to study moviegoing for a very long time. I feel most filmmakers are interested only in the making part - the who, why, when, what, how and where of the screening experience does not interest a majority of them ('Purple Rose of Cairo' by Woody Allen is an interesting exception).
Of what use is a film which has not been seen yet again in a semi-lucid print by a lonely heart (amidst other such losers & oddballs) on a humid monday afternoon, in a smelly hard-on-the-ass moviehall, an hour and Virar fast away from home ?
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